Tania Martin is a fibre artist based in Québec City. Trained as an architect, an architectural and cultural landscapes historian, she is also a professor at the Université Laval School of Architecture. There she teaches architectural design studio, historic preservation and the study of Canadian built environments. She holds a Ph.D in Architecture from University of California, Berkeley and a Fibre Arts Certificate from Haliburton School of Art and Design. Her work has been published in Uppercase. Tania is expanding her academic research activities to embrace artistic creation in the fibre and textile art domains. She communicates ideas and raises questions about our everyday surroundings using visual and tactile media alongside words and images. Tania seeks opportunities to disrupt disciplinary boundaries by transposing drawing conventions and architectural design principles through fabric, batting and thread, as well as machine embroidery and hand stitching. Soft, wooly, comforting, organic, and fragile, fibre and textile works contrast playfully and significantly to the perceived hardness of buildings constructed in stone, timber and concrete. Through their juxtaposition she invites the viewer to imagine and confront spaces differently, using other senses and nontraditional points of reference.
Yvonne Iten-Scott is a fibre artist residing in Erin, Ontario. Her primary medium is wool fibre, and she uses multiple techniques, including hooking, punching, felting, braiding, wool appliqué and art quilts. She is a faculty member at the Haliburton School of Art and Design in both the Fibre Art Certificate and the Continuing Education programmes. Additionally, she has taught workshops internationally. She has completed artist residencies in Iceland and the Shetland Islands. Iten-Scott is the past president of the International Guild of Handhooking Rugmakers and is an Oxford certified punch needle instructor. She has won numerous awards, and her pieces are held in private collections. Iten-Scott’s work has been published in magazines including What Women Create, Rug hooking Magazine, Fibre Focus and Hyperallergic. Iten-Scott has recently garnered significant attention for the censorship of her work Origin by the American Quilting Society in 2025.